Tag Archives: toys

The Queen of the Night and an Upstart Cat in Puffling Pants

This story started a couple of years ago when a friend posted pictures of a custom doll, a dog made in memory of a much-loved pet, from one of Jenny Barnett’s kits.<https://www.etsy.com/ca/shop/JennyBarnettFelt>
I had thought of dollmaking as ‘interesting, no idea how it is done’, but when I saw that dog An Idea sprang full-fledged from my forehead. As they do. I wanted to make a cat, a beautiful blue cat to remember all the cats I loved. Jenny was only too happy to help and in due course sent pics of two blue cat kits, asking which one I wanted. I wanted both. I couldn’t choose. So both kits arrived. And sat on the shelf, because I wanted to make something of my own, not follow the pattern supplied. and I didn’t know how. I bought patterns for small stuffed toys — a bird, a cat, a rabbit –– and made them, revised patterns and re-made them, drafted my own patterns and made my own creatures. I made a teddy bear, I made another teddy bear. I made a hare.

Handstitched and embroidered white cotton hare
Winter Hare, my own pattern cut from an old pillowcase.

The Queen of the Night
I chose the darkest of the two cats. I drafted a pattern for a female body (for some reason the cat spirit was female) and stitched a draft. Modified the draft. Found the fine cotton lawn I’d dyed with indigo last summer, cut the pattern, and stitched.

The body is offered to the head.

I tested the fit and when I was satisfied, I stitched more, in indigo-dyed embroidery floss and fine reeled silks, and the hand of the lawn changed, became stiffer, the figure became more real, more characterful . I spent days thinking about how to attach the arms and legs, whether or not she should have a tail (I decided not, but I’m slowly changing my mind). I thought about jointing, I tested indigo-dyed wooden beads, but in the end I opted for tiny mother-of-pearl buttons and spent hours online to find them. Every thought, every decision, every stitch added weight to her presence until she became more than simply ‘the blue cat’. Welcome the Queen of the Night.

The Queen of the Night

The Queen of the Night should have a cloak to conceal her glory. I found a fragment of blue silk velvet I bought because it was beautiful, spent hours online looking at cloaks and capes, thought and sketched and stitched more. The cloak has a high collar so the Queen’s head is crowned by silver moonlight.

An Upstart Cat in Puffling Pants? Or the Prince of London in Darkness?*
But wait, I hear you say, ‘What happened to the other kit?’
My original cunning plan was to make both cats and send one to tell M that I miss her, but it took so long to make the first cat that I wasn’t sure I’d live long enough to make the second, and it would have to be done exceptionally well because she’s not only a special person, she’s an accomplished sewing person. And a cat person. I cheated and asked if she’d like a doll kit to play with, no strings. She said yes! And that was, I thought, the end of it. I was curious about what she might make of it, but I’d given it to her so it was no longer my concern. I did once say that if by chance it was sitting on a shelf nagging at her, she should send it back; she said she had an Idea but had to work out how to accomplish it.

Time passes. Imagine the fluttering calendar pages.

And then a box arrived. The customs declaration said ‘doll’, and I discovered that adult anticipation is far more complex than that of a child. I remember desperately wanting to know what was in the parcels under the Christmas tree but, holding that box, my anticipation was different. I knew what must be in the box, but … I didn’t know what was in the box. The uncertainty balanced against the certainty that whatever it was would be *wonderful*.

I opened it and collapsed the possibilities. And caught my breath with delight.

An Upstart Cat in Puffling Pants. Or the Prince of London in Darkness.

I posed him with some of the books containing imaginary London. Because, holding him for the first time, I imagined him stalking, cat-arrogant, along the Thames beside The Globe as sunset fades to darkness. He would be acquainted with the Marquis de Carabas, he would emerge from the shadows to assist the Midnight Mayor (should the Mayor require assistance; he often does). He is part of *my* much-loved London made real in my hands, possibly the most thoughtful gift I’ve ever received, and he is one of the few things I would pack in my go bag because that night, after opening the parcel and meeting him, I dreamed of him stolen and I was desolate.

He’s wearing an Elizabethan costume made entirely of glove leather, stitched with copper thread. His doublet is trimmed and ruffed (is that a word?) with black lace stitched with copper. He has more weight, more presence, than the Queen of the Night, and my friend who made him real is Awesome.

* The card had two names for him. ‘An Upstart Cat in Puffling Pants’ refers to ‘Upstart Crow’, a UK sitcom and (with added ‘The’, a play) about the life of Shakespeare. ‘Puffling pants’ is one of the jokes; it refers to the trunk hose, with lining visible between the slashe
https://peterviney.com/stage/the-upstart-crow/

He might (also?) be a? the? Prince of London in Darkness. I wouldn’t speculate, he might take offence.

Cloth characters

‘Boro’ and visible mending is fundamentally about the repair and re-use of functional items, but I believe it’s important to remember that there are many possible functions for the things we make by hand. It’s as important to feel loved as it is to feel warm.

A doll made for a Roman child in Egypt AD100–500. Roughly-stitched linen stuffed with papyrus and rags with fragments of wool suggesting hair and a blue bead that might have been a hair ornament.
https://www.britishmuseum.org/collection/object/G_1905-1021-13


I try to give my students some idea of the variety of things they can make with scraps of fabric and thread, slow stitching by hand. Bags are good, in fact bags are excellent. Patch your clothes, make new clothes from assemblages of patches. Scarves! Pincushions! Needlebooks! All so very practical. I wanted something more off-the-wall. That Roman doll made from a twisted scrap of cloth made me think about how much we want to give children something tangible to say “I love you” every time they hold it.
Stuffed toys.

Wandering idly around the Internet when I should have been working, I found Ann Wood‘s pattern for a tiny cat figure. I made one from tiny scraps of Japanese quilting cotton and discovered I need more practice making tiny stitches let alone choosing an appropriate fabric for tiny stitches. But the result was cute.

My first attempt at a sewn cat figure

So I tried again, re-drafting some of the pattern pieces for a more complex but more cat-like shape. Despite an even more disastrous fabric choice (scrap damask linen napkins that frayed as soon as I cut the pieces due to linen being SO SLIPPERY) the result was so cute I made it clothing. A Japanese jacket and trousers, because I could. Note that the jacket has a centre back seam because Japanese adult clothing has a centre back seam. And it is lined. And has a gore for the cat’s tail. The trews open at the back and are tied with a drawstring that leaves a gap for the cat’s tail. Both Jacket and trews have genuine patched repairs. I’d say ‘How sad am I?’, but in truth I am not sad: it doesn’t look much like a cat but I smile every time I see it.

Pinterest found Kapital Kountry’s limited edition Teddy Bear that seems to have been sold for USD350 in 2018. Not a child’s toy, more an accessory or collectible, I think.

But… teddy bear. Hmm.

I searched for patterns. So many are ‘Disney bears’ of very little brain and less character. I found ‘Barbara Ann Bears’ selling patterns for much older bears on Etsy and chose ‘Fosdyke’.^1 I have almost no experience making garments, let alone stuffed toys, and I wanted a button-jointed bear rather than the internally-jointed one in the pattern, but managed to muddle through. I stitched ‘boro’ patchwork compositions onto the pattern pieces before assembling them, and experimented with some interesting but philosophically-dubious^2 techniques for distressing fabrics to make them look ‘older’. Note that the result is very definitely NOT child-safe. There are buttons, and beads, and loose fibres. You could certainly make a child-safe bear in this way, but it would be more honest to make the bear properly so the child or children can love it to pieces properly in the traditional manner.

Two quarters of the body sewn together.

As I stitched the pieces together I realised that the pattern really was designed for a mohair fabric, where the pile of the mohair conceals some things and accentuates others. Stitched flat cloth shapes quite differently.

I was able to overcome some of this by using internal stitches to re-shape things to my liking. Bear 1.0, aka Berwick is the result. I did not expect him to be so lovely. Fudging the neck join in lieu of a rotating joint left his head wonky, giving him a wistful air of hopeful affection. He hopes to be liked. I know how he feels.

He even stands upright although this may be short-lived as the soles of his feet round out.

I thought he needed a friend so gave him a pocket mouse and a pocket to keep him safe.

After some time spent admiring Berwick I drew a new pattern to create the shapes I prefer, and to better account for the difference between mohair and flat fabric. I was about to cut it from the same (old hand-dyed Thai pants) fabric when a box of ‘cabbage’ aka scrap costume fabric arrived from my friend in the UK. It included a wonderful burgundy brocade velvet.
Once again i have made a disastrous fabric choice for a novice sewer: it unravels, you can’t mark the velvet side, the velvet *creeps* as the pile moves as I sew, and I sort of forgot/did not realise that velvet is directional and it matters. I have made 2.5 heads in order to get one worth stuffing. But still, glorious. If he comes together as I hope I may make him a waistcoat of velvet embroidered with gold, an antique lace cravat, and name him ‘Liberace’.

A burgundy velvet leg.

^1: Because Fosdyke was a Tonkinese of brief acquaintance and extreme character fulness, ‘the ugliest kitten ever seen’ who so over-flowed with character and self-interest that we had to re-home him after 6 months, before his bullying was the death of our aged Siamese.

^2: ‘boromono’ and mottanai are concepts based on respect for the intrinsic value of fabric, to preserve its functionality as long as possible. Artistically distressing a perfectly decent and useful piece of fabric by cutting holes in it or staining it to make it look ‘used’ is not in accord with the spirit of ‘boro’. But it’s art, so that’s alright. Right?